Continuing its long string of successful comedies, Teatro 8

opened this week with Palomas Intrépidas, another play that will surely attract the Hispanic theatergoing public in South Florida. Unlike the previous productions that were mostly translations of English-language hits, Palomas, written by the Spaniard Miguel Sierra, is geared to the Latin sense of humor. More specifically, it's for an older generation that loves dialogue filled with double entendres without being too obvious with sexual overtones.

The ideal fantasy for women over 50, it tells the story of two single and middle-aged childhood friends, Blanca Paloma (Martha Picanes) and Cándida Paloma (Marta Velasco), who long for male companionship. Cándida, who prefers to be called Candy, is always urging her friend to go to a bar or any other place where they might meet men. On her way to town, Blanca agrees to drive by a spot where she knows ''gigolos'' hang out. Blanca returns to the cottage (a colorful set by director Marcos Casanova) they share in the Keys with Bernardo (Claudio Giúdice). Bernardo is no gigolo but a man in desperate need of money. After an initial rejection, the good-looking and younger man will try to accommodate the two women. And the laughter never stops.

Director Casanova keeps the action hopping, wisely using the well-designed set to move the flamboyant women around the stage. Giúdice, who has a real flair for comedy, is dressed all in simple black, striking the right balance with the two women. Picanes plays Blanca with a tad of exaggeration, but her mannerisms fit the style. Velasco, with her deadpan looks and serious delivery, stands out as Candy.

Palomas could have benefited from some cuts. There are longish exchanges that don't add much to the farce and some parts (such as the fight and recrimination in the second act) aren't that funny.

Still, Palomas never aims to be more than a light comedy. There's not one serious angle in this female fantasy, but it provides an entertaining time at the theater.

Fuente: The Miami Herald
Junio 2003